It’s a story-Van’s words and his voice provide the scary beauty and the instruments the drama. ![]() Spotify playlists at the end of the post.Īs Van moved through the songs of Astral Weeks, challenging a rock and roll beat in “Brown-Eyed Girl,” hitting a rave-up with “Sweet Thing,” Van grooving with the bass player, the crowd warmed to him and began to wait, with excitement and patience, for “Madame George,” the most powerful piece of music ever to come from Van Morrison. In order to make the final list more interesting and diverse, we restricted our individual lists to include a maximum of 4 songs from any album. To create this list we first created our individual top 50 lists and then merged them together. –> Peter Mills (Hymns to the Silence: Inside the Words and Music of Van Morrison) It is this kind of detail which should give us pause to consider Morrison’s work. He also noted that the moments of achievement or of breakthrough are fleeting glimpses (or we might say `beautiful visions, revealed then clouded over once more): `it’s momentary release … the minute it stops, it’s gone. As Morrison said in an interview for the BBC in 2006, `I don’t want to just sing a song … anyone can do that … something else has got to happen. ![]() Thus he is on a journey of discovery, down the road, and each fresh moment of performance has the potential to unlock another aspect not only of the song but of the experience that feeds and informs any given performance of it. He has freely admitted in song and in conversation that he doesn’t feel the need to know exactly what he is doing in the moment of creativity, or what the `meaning’ of such work might be, … As he once sang, `Enlightenment, don’t know what it is. The uniqueness of his vision is rooted in experiences that are common ones.
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